The winner is Eytan Wronker for the ambigram above! This was exactly the nostalgia buzz I was looking for when choosing the theme for the competition. You were very lucky to have every G line up with one another so that they could all be consistent. I really like the I in Tigger – it curls the wrong way but does it so confidently it is legible!. The EE/E solution is very odd and I have never seen it before, but I will give it a pass!
Here are all the other wonderful designs which have won a spot in the list of honourable mentions:
I love the concept of 3 different solutions for the same word, but the solutions are so similar! It would be nice to see 3 completely different solutions, but that would be a lot more work, and the solution you have managed to find here is spectacular, so I shouldn’t really be complaining.
I had never heard the term before and had to Google it. I’m never any good at solutions like U/B, but it’s looking great here!
I love everything about this one. The style is so cool and the solution is epic. I realy like the KNI/ER bit.
The rest of these designs are by Michael Irving.
This is a great design! I love the upside down head drawings, making it clear that the design should be inverted.
I really live the style with this one! The use of the shells as little tittles is very cool.
This section is for the ambigrams which I found difficult to read, and have given suggestions for their improvement.
These are the entries from Val – reading Scate, Queen, MTV and Disco.
My favourite entry is Skate – the sharp angles give it a lot of character, and I can imagine it on a t shirt already! A very creative design and solution – but I think it would just be so much easier to read with a crossbar through the A! I really love the D/O solution in Disco. I find it hard to read the C, but everything else is there – the style is very fitting. I really like the minimal style of the MTV design – but it is a little confusing. When the black letters are read, it says MTV, but when the white letters are read, it looks like it says M||V – maybe the T should be a different colour so it is noticeable however you read it?
I think overall, I love your minimal lettering style but you have to remember the design needs to be as legible as possible – there is no reason the A in skate should not have a crossbar! Such a simple addition would make it significantly better!
Thank you for your first entry to this competition Thony! The ambigram is very polished as a design, and I can see you spent a lot of time on it. However there is one thing holding it back. You are clearly going for a cursive appearance here. Cursive can work very well with the right ambigram, as the lines connecting letters can be just as important as the lines making up the letters – but here, the connecting lines are only there for aesthetic purposes. This would be fine for normal lettering, but since it is an ambigram, when it is turned over, all those pretty connecting lines turn into distractions. If you look at your final word – ‘Prairie’, each letter is connected by a stroke at the top, which makes it very difficult to separate them into individual letters. When reading, our brains take more information from the top of the letters than they do from the bottom, so these unnecessary strokes make it very confusing to read. I would suggest choosing a style which helps the ambigram work – you might have to substitute the french R’s for something else if that is the case, but you have a strong foundation here to work from!
Caroet do Notes means notebook in French. The solution is perfect and I don’t think there is a more legible one. But ambigrams are more than just the solution – they are also works of art. The next step is to finalise your design with a fitting lettering style and some ink!
The main problem stopping this from being perfectly legible is the Y/O solution. In my experience, nothing ever comes from forcing letters to fit a shape they don’t want to be in. When we read words, we do it by recognising shapes. I can see a very slight gap in the top of the Y to suggest it isn’t a G, but when the brain is reading the letters, it sees the overall shape rather than small details like that. Rather than trying hard to fit the Y into the shape of an O, it might be better in a situation like this too look for another solution.
A consequence of your R/G solution is a small circle to the right of the R, which can easily be turned into an O to make it a helpful addition to the ambigram, so why not combine the RO into a G/RO solution? Here is my sketch:
This makes the U a little harder to read, but by playing around with different lettering styles, you might be able to find one which works. Letters like U and O are normally quite tricky, so you chose a difficult word to ambigramize here, and I’m not sure a perfectly legible solution is possible. But the moral is, rather than forcing together letters that don’t fit, take a step back and try to find another route to the solution. But thank you for your entries and I hope to see you in future competitions!
The style of lettering works very nicely with the background graphic – well done! There are a few minor changes that could be made to the solution and one big one. The Y could be made bigger, and have the tail dip below the baseline. This would make the A fit in better with the other letters and be more legible. The first E could do with a shorter bar in the middle, so that it is less prominent when reading the D. The final problem is the B/L, which unfortunately I don’t know how to fix. You could try rounding out the edges to make it look like a B, but with this method I don’t think it will ever be completely legible. But it is a great attempt and it looks very nice!
I understand you are trying to make each letter fit in a box like the original logo, but unfortunately this is the least legible way of making an ambigram. The N/N is naturally perfect, however the other letters are only legible because the logo is so iconic. In this situation there are 2 choices:
Sacrifice legibility to maintain the original style.
Sacrifice the original style to maintain legibility.
You chose the first one – which might work well with other logos, but in this case it makes the challenge of creating an ambigram impossible. If you are sure that you do not want to change the style from that of the original logo, it might be better to choose a different cartoon channel to parody!
I do like this one – I enjoy the RA/M solution, as well as the M/K. The style of lettering is very energetic and fits perfectly with the two cartoons you have chosen. However, the diagonal split down the middle where you change the colours is intensely distracting and makes it significantly harder to read. I understand that you are trying to show the colours of both brands in the same design, but it goes back to the two options I mentioned in the previous example. In this case however, I think there is a good solution! If you make the same ambigram in both styles, and place one on top of the other I think that will get the point across well enough. When turned over, Pokemon will be in blue and Doraemon will be in yellow, but that doesn’t take away from the magic of the ambigram, and it will make it a lot easier to read. If you send me an updated version like this, I can place it here with the other designs!
I have never played hide and seek in tall grass before, but now I wish I had! The main thing which makes this harder to read is the consistency of the letters. The D is the only letter which is the ‘wrong’ size here and it makes it harder to read. Unfortunately it’s not an easy problem to fix, and you might be better off playing around with different lettering styles and solutions to find something which fits better.
This month’s competition theme is ‘Your Childhood’. So think about what you loved when you were a child – maybe a television show or a nostalgic rock band, or a culture you were involved with. Obviously this one is very subjective so there should be a lot of variety.
Email your entries to email@example.com before the 16th July
Hello! Thanks for all the entries – not only was the artwork great, but there were lots of nice philosophical ideas to contemplate, so thank you!
I have spent a long time deciding on a winner – so many good entries! But I have finally settled on this design by Otto Kronstedt
If this competition was based purely on ambitiousness and geniusness, this would win by a mile. If you hadn’t noticed, it’s a reimagining of arguably the most famous set of ambigrams – John Langdon’s elements. However Otto has managed to get all 4 words into one design which can be both rotated and mirrored.
Unfortunately however I am having a difficult time reading the R’s in both Air and Fire. I think the R in Air can be made more legible without affecting the other words too much:
However I have no idea what to do with the R in Fire. I’ll leave that up to the genius of Otto Kronstedt!
I can fully appreciate how difficult this must have been to design, and how much work was put into it. And at the end of the day, I think it would be impossible to try something this ambitious and to have it perfectly legible, so in this case I don’t think the legibility is much of an issue. The fact that it has been designed, and that the words can be deciphered if you look for them, is enough!
I very nearly selected this as the winner, so I decided to honourably mention it. It’s just a very well polished very readable solid ambigram design, and I know Diego must have spent a long time tweaking it to perfection. I almost want it as a tattoo!
And in no particular order (it’s actually alphabetical by the first name), here are the other entries:
Really enjoyed this one. ‘Philosophy Ambigram’. It is self referential, it is self aware, and it is beautifully post-modern – the perfect entry for such a theme!
Wonderful entry – very easy to read and some great ideas in the letter forms. Well done Dhaval!
This one is very impressive – it’s a bi-lingual, bi-scriptual perception shift ambigram design, of the name of an ancient Indian philosopher. Unfortunately I cannot read Devanagari, but Dhaval also sent me a useful image to help you see the other script hidden in this design:
Again – really good work, and very impressive to work with two different scripts!
I really love this one! The funky colours and curly text gives a very psychedelic 70s feel – very fitting as the words written could easily have come out of the mouth of a new age spiritualist. Thanks for your entries!
“Imagined realities” is a concept I came across in the works of “yual noah Harari”. It’s a powerful concept, perhaps a little frightening too. For anyone wanting to know more, I would highly recommend a book called “sapiens – a brief history”.
There you go, look up the book if you want! Very nice design – I’ve never seen a G/L like that, and the ED/R must have been hard to pull off. Great stuff!
This one is very nice, and I love the added touch of the secret reversed quote on the bottom, as well as the reflected signatures in the bottom corners. The style works very well!
I just love this one – the style is really great and consistent! but the thing I love most is how Michael was able to put a space between the two words. Usually in ambigram design, it is not possible to put a space unless the point of rotation is in the middle of that space. But here, the lowercase r allows for a bit more room, and the space appears when inverted. Brilliant!
I bi-lingual ambigram of an English phrase with its Latin counterpart. In reference to Michael’s previous entry, this is how multiple words is usually done – with the first letter of each word being bigger and more distinct than the others. It’s always impressive when an ambigram is made of such a long phrase!
Above are the rest of Michael’s entries, which are all very legible, and include some lovely life messages. Thanks for the motivation!
One thing I constantly notice about Otto’s work are the creative solutions. Whereas the C/M is quite hard to read, every other glyph looks beautiful and approach the challenge in a unique way. I particularly like the G/S solution – very legible and very pretty!
An example of where the style of lettering is chosen to work as well as possible with the requirements of the ambigram. The L/I is a great example of this, as well as the R/O and the G/A. All of those elements work well because they are written in an italic script, and borrow elements from the letterforms in those scripts.
A nice touch to add the Golden colour – matches the sentiment of the text well!
Val has a very unique an minimalistic approach to letterforms. The M might be illegible in any other context, but here is it perfect. The CA/US is very clever in its simplicity and I love it! The only issue is that the C is higher than the other letters, which would be fine in other cases, but the style of the other letters is so well proportioned it looks odd. I would suggest something like this:
This way, the C being above the A makes sense in the context of the rest of the design. But it is your choice – well done!
Another example of Val’s unique approach to letter forms – the CA/EM here is amazing and I’ve never seen something similar. I think the standard approach to this glyph CA/EM would be something like this:
But it is refreshing to see a new solution! I think it is very legible and I wouldn’t change a thing.
This is a very interesting design, but I’m finding it hard to see the distinction that makes the C different from the E and the E different from the O. C/E is always a tricky one, so again I applaud the creativity!
Thanks for all of your entries, it was a pleasure. Until the next time!
Hello there everybody – lots of great entries this month! As well as some new names – welcome to the club!
My favourite entry and the winner of this month’s competition is as follows:
The winner is Questions/Answers by Michael Irving! I’m a bit confused as to why the ‘Answers’ is presented as a reflection of the ‘Questions’, since this is a rotational ambigram – but I just love the design so I decided to ignore that! The W is a letter I always have trouble with, but here it is expertly pulled off, all with a very clean but stylised look. Well done!
This is Beauty/Beast by Otto Kronstedt. I really love this design, and it would have come first, if it were not for the fact that the ‘Beast’ appeared to read ‘Beasty’. But it is a very impressive perceptual shift ambigram.
Otto also submitted this one – another very nice perceptual shift design. It reads ‘receive’, but if you look closely, you can see ‘give’ popping out. Amazing!
Michael Also submitted around another 20 designs! They are all good, but I wouldn’t want to drown out everybody else’s work with all of his, so above is a slideshow where you can go through them at your own leisure.
I really enjoyed this Friend/Enemy by Harold Kit Elvira. Very readable, and very pretty! I think the F/Y is genius, making part of that 4:3 letter ratio!
This piece by Dhaval Shah is very fun – the left column reading Angry, and the right reading Proud. The best part is the little faces showing the emotions in the middle!
Android/humanoid by Dhaval also incorporated images.
And here is Dhaval’s final entry – Gain/Loss.
John Langdon’s style is very well known at this point, and here is a perfect example of why he is so admired! A never ending ring of Finish/Start, with no finish, and no start of its own. Truly using the ambigram form as more than just a clever graphic.
I love the calligraphy style of this entry from Antonella from Italy! It reads Angelic/Diabolic and is mirror-reflective. The GE/BO in the middle is unlike anything I’ve ever seen – really cool!
Vida/Morte – the portuguese words for Life and Death, courtesy of Ruben Tinoco. The D/OR is very clever!
And finally, I’m very happy to announce this newcomer to the ambigram community – Val! This design above reads Drama’Comedy, and I love it! It reminds me a lot of the Aphex Twin logo – you could imagine an alien society writing in a language similar to this – very minimal and a very unique style!
Val also submitted this figure ground entry, of Head and Tail. I’ve tried this kind of ambigram a few times, but it has never come out very good. This one is great!
And finally – another entry from Val – High/Low. If i were to give some constructive criticism, it would be that with ambigrams you don’t have to follow the same conventions as normal lettering. It’s ok to have the stem of the first H go above the x-height, even if it means the W has an elongated stroke. And the second H could also have both strokes connected – if the stem for this letter didn’t touch the base-line, when rotated, it would look like a stylised serif on the L, making both letters more readable. But an excellent start to the ambigram art form – good luck with all your future endeavours, and I hope to see more work from you in other competitions!
Thanks for all the great entries, keep up the good work!
It has been a while, so why not have another little competition? Todays theme is the Duality. Make a symbiotogram of two words which exist in duality with one another. Day/Night, Love/Hate, On/Off – the options are limitless!
Any form of ambigram is accepted. Email them to me at firstname.lastname@example.org before 23rd April to enter!
I’m proud to announce this month’s winning entry – this Tesla ambigram by Harold Kit Elvira modelled on the Wardenclyffe tower which was designed and built by Nikola Tesla!
If there was one thing I would change – I don’t think the little serifs on the crossbar of the E are necessary, and it makes it look like a little H. But these things are just a matter of opinion, and I just love the concept so much!
A tessellating design is still something I need to successfully complete – they have not worked for me in the past. I think they would make great quilts/wallpaper/tiles! Here is a crazy 4-directional tessellating design by Alain Nicolas. I really like the S/TE solution.
Not happy with just 1, Alain also submitted this 2-directional tessellating design for the same word:
This Galileo design by Damian Lakey has a great consistent style – reminds me of the ‘Blade’ or ‘Resident Evil’ logos.
This entry for Isaac Newton/Newton’s apple was very impressive – but there’s always a problem with A/P solutions where the A ends up looking like a D. But I love the torn paper/scroll effect on the letters, and Damian has used these little torn flourishes to his advantage for example in the I/E solution.
When browsing websites like this before, there was always a comment on how difficult it was to judge the entries. Now that I am running my own competitions, I can completely sympathise. Each entry is just so unique and special in its own way, I find it so hard to decide on a winner!
If you didn’t win this time, do not worry – I probably spent a long time looking at your entry and ended up letting it slide for some arbitrary reason. If I judged these again next week, I would probably have chosen a different winner! The best you can do is keep submitting to each tournament and try your hardest!
Whew – sorry for the lack of updates. As university exams draw nearer, the stress is high and the free time is non-existent. However – I see no reason not to have another little tournament!
The theme for this one will be pioneers of science, Whether that be physics, engineering or computer science – it’s all up to you! As usual, there will be a certificate for the winner of the first prize. Email your submissions to email@example.com before the 6th June, and I will judge them in the following week.
You may remember that the winning entry from our previous tournament read ‘Friday the 13th.’ This reminded me of the article I had written a while ago, which featured ambigrams where numbers were used as part of their design. Here is the second part to that article!
This design by Bastian Pinnenberg has many clever parts – the C/AR is quite insane, as is the 2/Y. Ambigram artists in general aren’t as used to working with numbers as they are with letters, so to create something as legible as that 2010 is quite impressive.
Here is a design I am very impressed by. You might remember from my last post on ambigram numbers that in the past, I have attempted an ambigram which uses a 2/3 glyph like in this design above. However, mine was nowhere near as clean as this one. An ambigram is very successful if you can look at it and forget that it is the same upside down. With this design, your brain fills in the blank spaces, and the result is a very clear and legible 23 – so clear that I find it difficult to believe it is an ambigram until I physically turn it over and witness the transformation for myself. It is like being introduced to the art form for the first time again!
This one is not so legible as the last, but I like it for the concept. If anyone reading this thinks they could do a better job at this than Mark Wallace, I would love to see your attempt.
For the final piece, here is a very clever design by Ty Wilkins. Not only is it an ambigram, but it uses negative space to create the N in the middle. The very lucky choice of letters and numbers means that this design is also highly legible as well as being simple.
You can expect another article on numbers in ambigrams soon – I have already collected a few more designs! If you know of any others, feel free to email me at firstname.lastname@example.org.